7 December 2003

Scaries


The Scaries will be playing our last two shows December 13th in Chapel Hill, NC at Go Rehearsals.  

If you're planning on going, we recommend getting advance tickets as the shows are looking like they will sell out.  

DECEMBER 13 - GO REHEARSALS - CHAPEL HILL, NC - 6 P.M.

the scaries + alli with an i + letdown

DECEMBER 13 - GO REHEARSALS - CHAPEL HILL, NC - 9 P.M.
awk (our andrew wk cover band) + the scaries + alli with an i + xtreme badasses


UPDATE:  E-Tix is sold out of advanced tickets.  You can order tickets with a credit card over the phone by calling the Cat's Cradle at 919-967-9053.  There are not many left!  

When we originally scheduled this show, we did not plan on it being our finale.  There are many bands that we wish we could play with one more time before we end.  

We'll have the last of our t-shirts, our CD's, and all the remaining copies of our first CD Over You for sale.

Goodbye!

"Breaking up" sounds overly dramatic.  More accurately, we're playing our last show and then not showing up to band practice anymore.  "No call, no show" is more like it.

People ask why we're playing our last shows.  There is a popular misconception that rock bands stay together forever.  Bands get together, write their songs, release them to the world, and then the members go on to work in restaurants or play in tribute bands.  Maybe while they were together they were lucky enough to come to your town and play live and get drunk and sleep on your local beach.  But nothing lasts forever, which is exactly the reason why after reading this and jacking around on the internet, you should get up and go do everything you keep talking about doing instead of just sitting around and talking about it.  

As for what we'll be doing after this, Bill and Lyle will be continuing their metal instrumental onslaught in Amish Jhiad.  Mike will be moving to Gainesville, FL and starting a new band with Jon and Derron from the band Gunmoll.  On top of that, Mike and the guys from Gunmoll will be putting out a split-EP of acoustic versions their own bands' songs on Law of Inertia records sometime in 2004.  And Matt will write for glossy rock magazines and travel to foreign countries that require inoculations. 

We have a lot of people to thank from the last eight years.  Let's start with the entire populations of Orange, Durham, Wake, Burlington, Wayne, and Alamance counties in North Carolina.  That should cover everyone we know around here.  And everybody in the Virginia Beach area, and whoever lived in Harrisonburg, Virginia from 1997-2001, gracias amigos.  Thank you Florida, as somehow we never got a ticket for speeding or indecent exposure in your state.  And thank you Garden City, Kansas and Lincoln, North Dakota for showing up in droves, because otherwise I think we would've committed seppuku out of sheer boredom while driving across the Midwest.  Meanwhile, anybody who drives the speed limit in Connecticut or runs a crooked rock club in California, you can kiss our ass.  You shook our faith in humanity and we hope you all get audited at least once in your lives.

If you heard our songs, you should thank these guys who made sure our records came out:  Fab Del Rey records, Matt Kelley at Route 14 records, and Ross Siegel at Law of Inertia records.  If you guys were waiting for the big MTV breakthrough hit so you could cash in on our back catalog, I'm sorry we let you down.

Thank you Matt Ehlers and Travis Groo for sending a lot of e-mails and making a lot of phone calls for us at one time or another.  

We've played a ridiculous number of shows across three countries and can't remember all the fun places we've played.  But we'd like to especially thank Go, Cat's Cradle, Lizard and Snake, Duke Coffeehouse, and Matt Dauer in Virginia Beach, as they always hooked us up and gave us whatever we wanted like the spoiled children we are.  But the crowded, out-of-control house shows were some of the most memorable and we had some of the best times of our lives at the High Life House in Colorado Springs, the Spaghetti House in Harrisonburg, Tommy's apartment in Morgantown, and whatever that house was in Atlantic, NC where literally the whole town showed up. 

We can't begin to name the bands that we want to thank.  We wish we could play with you all one more time.  If we could get all the bands we wanted to play our farewell show, it would be a three-day outdoor festival with $10 parking and $5 beers.  But for the record, we'd like to say it sucks that The Revolvers, 65 Filmshow, and Gunmoll broke up before we did, and we wish they were waiting for us in band heaven.

And if sometime in the last eight years you came to our show, bought a CD, wore a t-shirt, or downloaded our songs and put them on a mix tape, thanks.  You have no idea how stoked we were when you thought something we did was worth taking home (and likewise, we realized we were going to have gas money to get back home.)    

And to every single person in Japan, thank you!  You're all so nice.

Some people have written us some really kind letters saying all sorts of incredible things.  We'd like to say that you should cheer the hell up and go start your own rock band.  It's a great way to spend seven or more years of your life.  We highly recommend it.

If we have any regrets, it's that we didn't get to finish another album before it was all over.  But we hope somewhere along the line, we did something that made your day better than it would've been if we had just decided to stay home and watch movies.  

If at some point in the last eight years we were some part of your lives, you made the band that was our lives worthwhile for us. For us, it came to an end while it was still fun. And we hope at the end of your days, you can say the same.

Ciao bella!
The Scaries

 
 
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The Scaries - news Articles catalogue
Philip Gibbs - Includes bio and audio samples. http://www.philipgibbs.com

In the summer of 1996, Philip Gibbs found his sister's old three quarter sized nylon string guitar at the bottom of a hallway closet and started playing, continuing to do so every day since. After learning a few chords and then a few songs, soon Phil was writing songs of his own and playing them in coffee shops in his native Austin, Texas, starting in the now defunct Rio Grand Coffee Shop in the West Campus area of the University of Texas. Later, in the Spring of 1998, he boarded the S.S. Universe Explorer, a floating university that took him throughout South America, Africa and Asia.

Philip Gibbs was born and raised in Austin, Texas. He began playing and singing in his late teens in coffeehouses and bars around town and after college moved to New York where he continued playing music, recording his first self-produced disc called Digging in the Bottom of Mines, a country record with a Brooklyn combo. He then moved to Nashville to play for a year, before returning home to Austin in 2001. For four years, Philip worked odd jobs and played as much music as possible all over the state with various groups and duos and as a solo acoustic act. In 2001, he produced his own album, Another Place to Disappear, with his traveling band, The Rounders, which led to a more ambitious project in 2003, an album called Paper Crosses, produced by Stephen Doster. The rhythm section of this band had Will Sexton on bass, J.J. Johnson on drums and Philip Gibbs on acoustic guitar. Doster played a good deal of lead guitar as well.

Many months went into this project as many special guests were called in, including Ephraim Owens on trumpet, Stanley Smith of the Asylum Street Spankers on clarinet, Cole El-Saleh on piano, Erik Hokkanen on fiddle, Brian Standafer on cello, and engineer James Stevens helping out occasionally on background vocals along with Philip Gibbs, Doster and Sexton. This record was played on KGSR, KUT, KLBJ (where Philip Gibbs made half a dozen appearances on the Dudley and Bob Show) as well as other stations around the state, and led to booking many personal appearances for Philip Gibbs, including one television appearance on the local Austin affiliate of Fox. By late 2004, with hundreds of one-night gigs under his belt, Philip Gibbs began looking for new outlets, such as the theater, as well as painting. He wrote two songs, which he performed, and collaborated with Music Director Content Love Knowles on a good deal of the score. In the second act he played the Prince and the show was a hit. At this point Philip Gibbs had performed over a thousand times, and in 2005 he moved to New York again for about 10 months and played a good deal at places like the Bitter End, The Lakeside Lounge (owned and booked by Eric "Roscoe" Ambel, guitarist of Steve Earle's The Dukes) CBs Gallery and the Rockwood Music Hall, with folks like the Defibulators, James Thomas and a show with Stayton Bonner.